Daughter of the Moon
- Jamila Salimpour 4/76
from the Temple of Hathor at Dendera
It was in 1974, as an impressionable twenty year old, who grew up in a strict Irish-Catholic household, that I began to hear (the mind-blowing to me) information about a dance form connected to traditions and rituals rooted in ancient matriarchal Goddess-worshipping cultures. Jamila Salimpour was one of THE most influential women lighting - no - blazing a trail of opportunity for women like me to present this dance/art form as a connection to women's history and an elegant, traditional dance form that felt oh so natural yet also mystical and magical. Furthermore, Jamila was on a mission "to elevate 'belly dance' to a classic (and theatre-worthy) art form ...worthy of virtuosic presentation and skill."(1) ... and I wholeheartedly joined the movement (both figuratively and literally)!
Jamila's Bal Anat troupe performances (originally created in 1968 for the Renaissance Pleasure Faire in Northern California) inspired me to bring something similar to my community and so in the beginning of my career I was deeeeee-lighted to perform at the opening ceremonies of the Pearl Street Mall in Boulder (see photos below), Colorado, as a member of a troupe formed by one of the Jamila's original Bal Anat troupe members (Susheelah) and then on to gathering together a group of my own in Fort Collins, Colorado, and then on to Pennsylvania where I presented ensemble performances in both community festival (Mayfair and Musikfest among others) and collegiate (Lehigh University, Lafayette College and Kutztown University) theater settings. Yes, indeed, Jamila's influence on me has been monumental and for this I will forEVER be indebted.
I will always remember Jamila as portrayed in this inspiring and powerful image of her in black assuitt with tattoos on her face. She was an amazing women who crafted a vocabulary for the dance and not only taught it well but taught us how to teach it well too. She had amazing vision for the dance and costuming and rhythms and music. She was a fierce finger cymbal player and a wonderful storyteller ~ I so looked forward to every edition of Habibi** to arrive in the mail that I might read her latest tale.
Jamila Salimpour's inspiration & influence on me was mighty and I send shimmering systrum blessings filled with my deepest condolences to her daughter Suhaila, her grandaughter Isabella, her entire family and all the dancers whose lives she touched in monumental ways.
To this day I still use her vocabulary of dance and I ALLways give her credit. Yes, indeed Jamila was a majorly influential woman whom I feel blessed to have had the good fortune to be taken under her wing once upon a time when in my early studies of the dance I traveled to San Francisco to study with my teacher's teacher (Ms. Jamila) after a year and a half of studying & performing with one of Jamila's original Bal Anat troupe members (Susheelah) in Boulder, Colorado.
|Yours truly playing doumbek along side Susheelah and Ramona playing flute with us |
at the opening ceremonies of Boulder's Pearl Street Mall c. 1977
|Susheelah performing tray dance at the opening ceremonies |
of Boulder's Pearl Street Mall c. 1977
As Aisha Ali said in her remembrance of Jamila: She appeared on the scene at exactly the right moment in time and with her combination of beauty, charisma and captivating humor, she sparked a fire which was to inflame others for decades.
Jamila, to you I bow in deep reverence and ever-lasting gratitude.
RIP High Priestess of Danse Orientale
1997 Speech by Jamila (downloadable .pdf)
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